This is a subject that people have strong opinions about, and I’m looking forward to reading the various points of view in the comments.This post isn’t a definitive guide, but rather the starting point for a conversation, so let’s be open-minded!
Good Art Inspires. Good Design Motivates.
Perhaps the most fundamental difference between art and design that we can all agree on is their purposes.
Typically, the process of creating a work of art starts with nothing, a blank canvas. A work of art stems from a view or opinion or feeling that the artist holds within him or herself.
They create the art to share that feeling with others, to allow the viewers to relate to it, learn from it or be inspired by it.
The most renowned (and successful) works of art today are those that establish the strongest emotional bond between the artist and their audience.
By contrast, when a designer sets out to create a new piece, they almost always have a fixed starting point, whether a message, an image, an idea or an action.
The designer’s job isn’t to invent something new, but to communicate something that already exists, for a purpose.
That purpose is almost always to motivate the audience to do something: buy a product, use a service, visit a location, learn certain information. The most successful designs are those that most effectively communicate their message and motivate their consumers to carry out a task.
Good Art Is Interpreted. Good Design Is Understood.
Another difference between art and design is how the messages of each are interpreted by their respective audiences.
Although an artist sets out to convey a viewpoint or emotion, that is not to say that the viewpoint or emotion has a single meaning.
Art connects with people in different ways, because it’s interpreted differently.
Da Vinci’s Mona Lisa has been interpreted and discussed for many years. Just why is she smiling? Scientists say it’s an illusion created by your peripheral vision. Romantics say she is in love. Skeptics say there is no reason. None of them are wrong.
Design is the very opposite. Many will say that if a design can be “interpreted” at all, it has failed in its purpose.
The fundamental purpose of design is to communicate a message and motivate the viewer to do something.
If your design communicates a message other than the one you intended, and your viewer goes and does something based on that other message, then it has not met its requirement. With a good piece of design, the designer’s exact message is understood by the viewer.
Good Art Is a Taste. Good Design Is an Opinion.
Art is judged by opinion, and opinion is governed by taste.
To a forward-thinking modern art enthusiast, Tracey Emin’s piece “My Bed”, which was shortlisted for the Turner Prize in 1999, may be the height of artistic expression.
To a follower of more traditional art, it may be an insult to the medium. This goes back to our point about interpretation, but taste is more about people’s particular likes and dislikes rather than the message they take away from a piece.
Design has an element of taste, but the difference between good and bad design is largely a matter of opinion.
A good piece of design can still be successful without being to your taste. If it accomplishes its objective of being understood and motivates people to do something, then whether it’s good or not is a matter of opinion.
We could go on discussing this particular point, but hopefully the underlying principle is clear.
Good Art Is a Talent. Good Design Is a Skill.
What about the creator’s abilities?
More often than not, an artist has natural ability. Of course, from a young age, the artist grows up drawing, painting, sculpting and developing their abilities.
But the true value of an artist is in the talent (or natural ability) they are born with. There is some overlap here: good artists certainly have skill, but artistic skill without talent is, arguably, worthless.
Design, though, is really a skill that is taught and learned. You do not have to be a great artist to be a great designer; you just have to be able to achieve the objectives of design.
Some of the most respected designers in the world are best known for their minimalist styles. They don’t use much color or texture, but they pay great attention to size, positioning, and spacing, all of which can be learned without innate talent.
Good Art Sends a Different Message to Everyone. Good Design Sends the Same Message to Everyone.
This really falls under the second point about interpretation and understanding. But if you take only one thing away from this article, take this point.
Many designers consider themselves artists because they create something visually attractive, something they would be proud for people to hang on a wall and admire.
But a visual composition intended to accomplish a specific task or communicate a particular message, no matter how beautiful, is not art. It is a form of communication, simply a window to the message it contains.
Few artists call themselves designers because they seem to better understand the difference. Artists do not create their work to sell a product or promote a service. They create it solely as a means of self-expression, so that it can be viewed and appreciated by others. The message, if we can even call it that, is not a fact but a feeling.
What Do You Think?Depending on how you look at it, the difference between art and design can be clear-cut or hazy. The two certainly overlap, but art is more personal, evoking strong reactions in those who connect with the subject.
I’ll leave you with this quote from Craig Elimeliah, who covered this subject in a fantastic article for AIGA, which I discovered during my research for this post.
“I do not claim to be an expert on defining what art is and what it is not, but I do know that if we look at the differences between art and design we will see a very clear line drawn between the two.
An engineer, if given the exact co-ordinates to place different colored pixels in specific places, could render a beautiful website or ad simply by following instructions; most design projects have a detailed set of instructions and most design is based on current trends and influences.
An artist, on the other hand, could never be given any specific instructions in creating a new chaotic and unique masterpiece because his emotions and soul is dictating the movement of his hands and the impulses for the usage of the medium.
No art director is going to yell at an artist for producing something completely unique because that is what makes an artist an artist and not a designer.”
Further Reading and Sources
- Art and Design: What’s the Big Difference – Michael Brady, Critique Magazine: 1998.
- Mona Lisa Smile: Secrets Revealed – BBC, 2003.
- The Turner Prize – Tate Britain, 2008.
- Tracy Emin – Wikipedia, 2009.
- Talent vs. Skill and Experience – Acland Brierty, 2005.
- Art vs. Design - Craig Elimeliah, AIGA, 2006.
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Approximately 2,000 logos to search through.
A logo resource where you get to rate the logos. Much rate to see the next.
Logo Design Love is great website maintained by David Airey, which provides logo design inspiration and articles from all over the world.
A great blog about logo, identity and branding. Perfect way to gain inspiration and information.
Great website for top notch logo, business card, and Flash/CSS websites.
A comprehensive resource where visitors can browse and access copies of the world’s most famous brands and logos.
A site that celebrates the use of corporate identity as a management tool, and credits corporate leaders and designers for outstanding work.
Main objective is for businesses to purchase designer’s logos, but also makes for good inspiration.
A “soon to be premier online keyword-searchable database of logos and brand identity.” Just type in any keyword and watch what shows up!
Logo inspiration for Graphic Designers
Bojan Stefanovic showcases his extensive (to say the least) logo portfolio; some of which were published in Logolounge books.
Yet another great rated logo site.
More great submit-able and rate-able logo galleries.
Design and advertising archives
Displays a multitude of inspiring design, but focuses mostly on logo design.
A great logo design blog with tons of great inspiration.
Catalogue of top brands from around the world.
Logo inspiration updated daily! Beautiful examples of stunning logos here, and while you’re at it you can rate them.
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Ice cream cup BOBBLERS
Rough Guide To Sudan Cd Cover
Pistachio Packaging Design
OGO Water Pack
Choclate Bar Fondue Pack
3D Project 2: Floppy Disc Box
Farm To City
School Project: Package Design
Da Vinci Code Direct-Mail
Mid-Autumn Direct-Mail 2007
Batik Vans Packaging Outcome
Inhaus - Mini Applications
Homebase - Grow Your Own
Scent Stories - Perfume Package Design
I'm not a battery
The Design Business Bottle
Veuve Clicquot Fridge
Bombay Sapphire Layers
Fresh & Easy
Milli Shoe Box
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One person might claim that a company’s logo is its brand. Another might insist that you can’t have a real brand without a slogan. Still another might assert that branding is about communicating the company’s mission.
These are all components of a brand, but they don’t capture the whole package. Not by a long shot.
In reality, a brand is much more than a single image or string of words. A brand is not tangible. A successful brand lives in the minds and hearts of your customers. It is all of the things they think of when they think of your company or your product.
Almost anything can be branded manufactured goods, a service, a location, even a person. Elvis. Paris Hilton. Amsterdam. Las Vegas. IPod. Rolex. Fed-Ex. Kleenex. And one which I've been working on for years -- Maine. These are all established brands. For most people, they bring very specific images to mind.
The most successful brands hold a powerfully positive position within our psyche.
Think Disney. What immediately comes to mind? For me, it is family values, happiness, quality, a place where fantasies come to life.
Disney is one of the world’s most recognizable brands. The company started with a good product that had strong appeal: Wholesome entertainment that enables the young and young at heart to enter a world of fantasy.
The company built, and continues to build, its brand through an integrated approach utilizing advertising, marketing and public relations.
Do you remember the we are Going to Disneyland I TV ads featuring Superbowl MVPs and other sports stars? This long-running ad campaign created a lot of excitement for the Disney brand. Or how about the 10-year exclusive marketing partnership Disney forged with McDonalds in 1995, enabling Disney to promote its brand and the products associated with it in 30,000-plus McDonald’s restaurants?
The company has also been very successful in utilizing public relations to generate coverage for the Disney brand. Since the opening of its first theme park in the early 70s, it has treated reporters to a VIP preview of new parks, rides and other offerings through a special media day. These events attract hundreds of journalists from around the world and generate lots of press coverage.
The strength of the Disney brand has helped the company successfully ride out the storm during turbulent times. You might remember the Big Thunder Mountain Railroad accident in 2003 or the French people's condemnation of Euro Disney when it first opened in the early 90s or most recently, the downfall of Michael Eisner. Thanks to savvy crisis management and its Teflon-like brand, the company’s image and bottom line sustained no long-term damage despite the negative media coverage generated by these events.
Nike. Starbucks. Target. Victoria's Secret. John Deere. American Express.
These major companies have established a strong bond with their customers through branding. Each company has created a brand identity that has connected it with its target market through a shared ideology or system of beliefs. The brands have staying power because the companies consistently deliver on the promises made through the brand.
But you don’t need to be a corporate giant to benefit from branding. All companies need a brand strategy whether you are a small business manufacturing product for a local market or a start-up firm with the long-term goal of going global.
Sometimes, a winning brand strategy can actually earn small companies with small budgets a place at the table with the big guys. Ben & Jerry's started out in a converted garage with a $12,000 investment and strong brand appeal in the late 70s. This small business with a large following was acquired by Unilever for $326 million in 2000, and Ben & Jerry's ice cream is now available around the world.
Over the past 20 plus years, I have worked with large and small companies in many different types of industries manufacturing, communications, tourism, economic development, outdoor recreation, hospitality, and food service, to name a few. As a PR practitioner, nothing makes my job easier than a management team that understands the value of establishing a cohesive, consistent and unique company identity that accurately portrays what the company has to offer its customers.
Whether you are competing on a local or global scale, having a great product is no longer enough. There are lots of great products. And because there are more products to choose from, the customer's expectations are higher. Furthermore, we are constantly bombarded with promotional messages, so it’s much harder to capture the customer’s attention. You can no longer sit back and wait for the customers to come to you.
You have to establish a distinctive identity like a thumbprint in the minds of your customers. Find what is unique and different about what you have to offer something your customers will relate to and then use it to set yourself apart from the competition.
And creating a successful brand doesn’t have to cost hundreds of thousands of dollars. A targeted public relations, an important component of brand-building, is cost effective and has proven to be a very effective means of generating excitement about our clients' identities.
Without branding, all colas would be perceived exactly the same. Brown, syrupy liquid -- not visually appealing. Branding is what gives colas their identity.
Packaging comes into play. Taste tests are held to position one brand against the other.
Brand messages are tailored to appeal to very specific target audiences.
Coke reached out to racing fans by establishing Coca-Cola Classic as the Official Soft Drink of NASCAR. Generation Y was the target in the recent Pepsi commercial that featured rap mogul P. Diddy. In the commercial, P. Diddy hitches a ride to an awards show in a Pepsi truck. Soon, all sorts of celebrities popular with the Generation Y crowd are following suit with their own decked-out versions of Pepsi truck transportation.
The cola wars are proof that branding works. Think about it even non-cola drinkers can distinguish between the Coke and Pepsi brands. Some cola drinkers are so loyal to one brand or the other that they will only drink their brand of choice, even if they have a mighty thirst and the competing brand is the only thing in the fridge.
On a more localized level, Moxie soda is a great example of how good branding can generate a fiercely loyal following for your product. Moxie is a distinctively flavored soda concocted in the 1870s. The cola was heavily marketed in New England in the late 1800s and early 1900s. In the State of Maine, its popularity stuck. Over 100 years later, Moxie still enjoys a wide cult-like following. Many Mainers firmly believe its name embodies the spirit of the states residents: spunky, gritty and determined. There is a Moxie Festival held in Maine every summer. Car bumper stickers proudly proclaim, Moxie Makes Mainers Mighty. In 2005, Moxie was made the official state soft drink. How is that for brand loyalty?
Business parks are everywhere. All tout the same qualities: the best location, the best mix of services, and the lowest cost of doing business. So how do you set your business park apart from the rest? You guessed it: Branding.
Nancy Marshall Communications started working with Madison Business Gateway, a 55-acre business park in rural Maine, in 2002.
The business park is surrounded by beautiful mountains and pristine lakes. Some of New England’s best spots for outdoor recreation are literally right at its doorstep. The area has a very low crime rate, housing is very affordable, and the public school system is excellent. The key differentiating factor to this business park? There is a municipally-owned electric company located at the entryway to the park. Electric costs are the lowest in New England due to the nature of the municipal electric company.
In doing research for the Madison Business Gateway branding effort, we determined that quality of life was an important factor, but it was the low electric rates that would grab the attention of the number crunchers.
We had the basis for our brand. Our target audience valued quality of life, and they were looking for a cost-effective location for their business. We began assembling an arsenal of promotional tools to convey the Madison Business Gateway brand:
Brand building takes time, particularly when it comes to a competitive field like commercial real estate. However, the effort is paying off. In 2005, Madison Business Gateway welcomed its first major tenant and signed a letter of intent with a commercial greenhouse company.
The greenhouse company plans to make a $20 million capital investment in the area and create approximately 75 new jobs. Their operation requires a huge amount of electricity, and it was the brand message about the low-cost electricity that attracted them to Madison. This project is expected to have a significant economic impact on the region and will help a mill town to reinvent itself for the future.
Advertising, marketing, and public relations are all part of building a strong and sustainable brand. When all three tactics are used together, you can hit your target market from all angles.
Advertising is buying space on television, in a newspaper, on-line, on a billboard, etc. to promote a product.
Marketing is about making sure that you're meeting your customers' needs and getting value in return. Marketing initiatives include market research, pricing, promotions, and sales.
Public relations help the public understand a company and its products. PR allows you to tell your story in a thorough and authentic way. It helps a company achieve transparency, which is what customers demand in today’s economy. Working to generate positive media coverage is a big part of public relations. Stories in the media are like third-party testimonials, and people are more likely to believe what they read in a news story than in an advertisement.
If you have the resources to use the integrated approach to brand building, advertising, marketing and public relations should have an equal place at the table when formulating your strategy. The whole creative team should work together to develop the key messages and images that will compose the brand for your product or service. Each brings a different area of expertise to the table, and their combined knowledge will help develop a sound brand image that will resonate with all target audiences across a broad spectrum of mediums.
Once the framework for the brand is established, public relations start the buzz going prior to the roll-out.
Marketing devises the packaging that’s going to make your brand stand out from the rest and communicates directly with potential customers to promote it.
Public relations and marketing work together to devise innovative promotional materials and a cutting-edge Web site that will catch and keep your target markets interest and enable them to interact with the brand. They team up again to stage an unforgettable product unveiling event that will generate direct sales as well as tons of glowing media coverage.
The advertising contingent continues the momentum by developing attention-grabbing ads that reinforce the brand image and communicate brand value to the customer. The ads are placed in strategic locations that attract your target market.
After the roll-out strategy is complete, the team continues to work together to ensure communication of the brand remains clear, consistent and constant.
Brothers Lee and Donnie Thibodeau grew up in the heart of Maine’s potato country listening to their family talk about turning potatoes into vodka.
In 2002, as they were driving back to their childhood home, the idea resurfaced. Donnie, whose father taught him about the potato business, and Lee, a Maine neurosurgeon, decided the time was right to explore the possibility of commercially producing potato vodka.
Soon, the concept for Maine Distilleries, LLC, Maine’s first distillery, began to take shape. The Thibodeaus, along with their strategic business partners Bob Harkins and Chris Dowe, named their product Cold River Vodka after the river from which the distillery would take its water.
After spending nearly three years on product development, the Thibodeaus contracted with the creative partnership of Briggs ADV of Bath, Maine and Nancy Marshall Communications to create a distinctive brand for the vodka.
The popularity of super premium vodka brands was soaring. But, with the vast number of vodkas already on the market, the creative team knew they had to establish a very unique niche for the new Maine potato vodka if it was to succeed.
The hook was a no-brainer. Maine already possessed a solid brand image, and there were strong parallels between the Maine mystique and the Maine Distilleries product.
The vodka would be 100 percent Maine-made, using pure Maine water and Maine potatoes. It would be made by a family who had lived and worked in the state for generations. Maine’s scenic western mountains provided the backdrop for the family farm.
Also, Maine has long been considered a wellspring of creativity for artisans. Maine Distilleries, LLC would be a small artisan distillery a new addition to Maine’s traditional cottage industries.
It was decided that the creative team would leverage the power of the Maine brand to establish a name for the Maine-made vodka.
Briggs ADV, Nancy Marshall Communications and the Maine Distilleries team set to work on building the brand from the ground up. Open lines of communication and collaboration throughout the process ensured that the messages and imagery were consistent throughout the marketing, advertising and public relations aspects of the brand strategy.
A slogan was developed to reinforce the Maine connection. The Spirit of Maine was used consistently throughout the campaign on all promotional materials including packaging, publicity materials, and advertising.
Maine Distilleries set the price point at $31.99 a bottle, comparable to top-selling super premiums such as Grey Goose and Belvedere. All promotional pieces and packaging were designed with a classic look and feel to reinforce an image of exceptional quality.
The long-term goal was national distribution, but the product would initially be distributed in Maine and New Hampshire only for quality control purposes and to reach out to the regions where the vodka would have the greatest initial brand appeal.
An exclusive bottle design, created by Maine artist Bruce Hutchison, tied together all elements of the brand with its depiction of the Cold River flowing out of the mountains and meandering through potato fields. Elements of the artwork were carried through on the Web site, in the press kit, and on the invitations to the first tasting.
Before the invitations to the first tasting were even sealed, Briggs ADV launched a beautiful Web site for the brand at www.coldrivervodka.com. Nancy Marshall Communications worked with the media to create a buzz about the product far beyond its initial distribution area. The brand began to catch on immediately.
An Associated Press story that appeared over a month before the official November 2005 first tasting reiterated the messages that were at the heart of the brand. Other articles appeared in the Boston Globe Sunday Magazine, and stories ran on every Maine TV station.
In early November 2005, Nancy Marshall Communications helped the Maine Distilleries team forge a marketing partnership with the four-diamond Harraseeket Inn of Freeport, Maine, to stage a first-class unveiling, inviting key restaurants, liquor purveyors and media to a first tasting. Cold River Vodka was served neat and in uniquely Maine cocktails, including a blueberry martini made from local wild blueberries. Media guests came from all over the state and New England to test the product and meet the people behind it. As a result, articles in major national magazines are in the works and will be appearing in the months to come.
Because the Cold River Vodka brand image was communicated clearly and consistently, target audiences were able to clearly understand what the product stood for and what specific value it held for them.
Since the first pour, the demand for the product has been overwhelming. In fact, Maine Distilleries has been working hard to keep up with the demand and has literally sold out on several occasions.
The creative team continues to work to penetrate markets beyond New England in anticipation of the products increased distribution.
When it comes to the brand-building game, public relations is your star quarterback. You need marketing and advertising to run the ball, but you won’t make the touchdown without PR.
Advertising and marketing are great when it comes to reinforcing a brand, but PR is the most important player when it comes to building brand affinity.
PR gives a brand substance by telling its story. PR lets you get down to the whom, what, where, when and why little nuggets of information that people will remember and relate to.
When I find a product or service I connect with, I want to tell everyone about it. The people that work in my agency are the same way. The best place to buy shoes, the hottest new movie, a great new restaurant . . . we tell our friends, they tell their friends, and so on. That’s what PR is really all about creating a buzz. Good PR gets people talking.
With advertising and marketing, you control 100 percent of the message 100 percent of the time. With PR, you relinquish control over exactly what will be said.
This distinction is exactly what makes PR such a powerful tool when it comes to establishing credibility in the mind of the customer. People are skeptical about claims made in ads and marketing materials because they are subjective. With PR, the information is coming through an objective third party that does not have to endorse your message the media. This builds trust.
There are many ways to get the news out to the media press releases, pitch letters, video news releases. A skilled PR practitioner generates hits (what we call media coverage in the world of public relations) by offering the media useful, newsworthy information. The media, in turn, uses that information to develop editorial. A hit might consist of a brief mention or possibly an entire story on your product or service.
When it comes to successful PR, the bottom line is that the information has to have value to the journalist you are pitching and their readers. If your brand value is strong, identifying newsworthy story ideas will be a piece of cake.
Pros power to increase brand affinity can build a strong foundation for sales and advertising efforts. Because people have seen your company’s message in the media, they are more likely to remember it and be receptive to it when they see it promoted in another medium.
For companies with a shoestring branding budget, using public relations to get the ball rolling is the best approach. With public relations, there are no media buys or large production costs to contend with. And because editorial copy is far more believable than a controlled message, media coverage will generate a strong return on investment.
Major companies like Starbucks and Jet Blue Airways initially fueled their campaigns through public relations exclusively. Today, they are worldwide brands that employ a triage of marketing, advertising and public relations to continue the momentum.
What to Look For In a Brand-Building Team
Even if you have an in-house communications staff, it’s a good idea to look to the outside for input because it will give you a fresh perspective and enable you to tap into the knowledge of creative professionals who have real-time branding experience.
But there are many agencies out there today promoting themselves as brand building experts. How do you select the right one for your company?
Word of mouth is the best place to start. I would suggest talking with your peers in the business community to determine who they have worked with and who they would be willing to work with again.
Also, start taking note of other brand building campaigns that catch your eye. Is there a particular ad that really stuck in your mind? Is there a new product or service that jumps out at you from the editorial pages every time you pick up a magazine? Make note of these things, and research the creative teams behind them.
Now it’s time to narrow the search. Contact the agencies individually to determine which can best fulfill your needs. You may choose to interview the agencies informally or issue a Request for Proposal -- a formal request for competitive bids that outlines your specifications for the project. Before you start the process, be sure to have a budget and timeline in mind.
If you are looking for a full-service creative team, don’t nix more specialized agencies that seem to be a good fit. It’s likely that these smaller agencies have partnerships with equally capable firms concentrating in the other tactics you’d like to utilize.
However you plan to tackle the selection process, it is critical that you meet face-to-face with all of the agencies you are considering. Synergy between company leadership and the creative team is critical to the innovative process. The only way you can tell if you have the right chemistry to make it work is to get together with the individuals that would be handling the account.
OK. You’ve chosen your creative team, and they’ve presented you with a brand concept. You’re about to invest a significant portion of your marketing budget in rolling it out. You like the look and feel of the brand, but how can you be sure that it will resonate with your customers? Will it establish an emotional connection between brand and consumer -- the key to establishing a powerhouse brand?
Branding is a long-term investment. It will take time to build a dedicated following for your product or service. However, if you are successful, your brand will become your most important business asset.
Establishing a strong brand ensures that you will have to invest less in promotional initiatives in the long term. Once you have a loyal following, its all about maintaining the integrity of the brand and continuing the momentum. Following a consistent branding strategy means you won’t have to create a whole new promotional campaign every time you develop a new product or expand. You’ve already got the ball rolling.
A strong brand will also help you recover should your company ever face a crisis. If you have consistently lived up to your brand promise, you have established trust. That trust, a crisis management plan and a willingness to communicate openly with the public are the tools you will need to steer your business through.
All companies need a brand identity. Competition for market share is increasing across all industry sectors, so businesses of all sizes must be proactive in promoting what unique value they offer to their customers. While a strategy that incorporates the principles of public relations, marketing and advertising is the most comprehensive approach, many new and growing businesses simply do not have the resources to launch a full-scale branding effort.
The good news is public relations can build a strong foundation for your brand without breaking the bank. The trust and brand affinity that can be established through a well-targeted public relations campaign will make the public much more receptive to marketing initiatives and advertising placements as your bottom line grows and you are able to move forward with the next stages of brand development.
It has worked for big names like Starbucks, Red Bull, The Body Shop, and Jet Blue, and it can work for you.
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